The artist I observed is named Esterio Segura Mora. Born in Santiago de Cuba, Cuba in 1970,
Esterio is one of the most controversial artists of his generation. He was educated in the arts, and from 1989 to 1994, began instruction himself
at the Instituto Superior de Arte in Havana. New York, Berlin, London, Havana
and now California’s very own Museum of Latin American Art, have had the
pleasure of presenting his meaningful art in solo exhibitions. His artwork can be found in museum
collections throughout various American states as well as cuba.
For our
observation assignment, I chose Esterio Segura’s “Pinocho y Napoleon
cuentan la historia.” [Pinocchio and
Napoleon tell the story] (2006). Through this series, Esterio means to express
his political, historical and ideological themes that inspired him by growing
up in his country during a time of diverse situations.
The first piece I chose is called Napoeon y Pinocho Cuentan
la historia. It is acrylic and white pencil on black paper, and it depicts
Pinocchio, at the very bottom left corner, standing on books (of Cuban history
and heroes). He is holding his hands behind his back and his nose has grown so
long that it reaches the top right corner. At the very end, Pinocchio’s nose
turns into an airplane.
A second image I observed of that collection is called
Tierra Fantasma, meaning phantom land.
This is also acrylic and white pencil on black paper. It depicts Pinocchio “trotting” as Esterio
describes, with his head held high and his nose has begun to enlarge. The end
of it is far away from his face now, but by the looks of his face, Pinocchio
seems not to mind at all.
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